I don't know if this translates to the body and weight distribution of yours, but for the shorty the only position that really works (for me of course) is having the thing propped up by the bottom of the body on the thigh opposite of my fretting hand, and keeping a straight back, and keeping the thing leaning forward so that at it is engaging the strap. I think it's similar to the classical guitar posture, but relying on the strap and the forward lean to keep it in place since there's not enough guitar body to keep it perched otherwise.
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Woodworking @lemmy.ca Question about scroll saws on harder woods and thicker cuts
Electronic Music @lemmy.ca Boards Of Canada - Olson (played through 4 light bulbs on a 1959 DEC PDP-1 Computer)
Music @lemmy.world My Morning Jacket - Beginning From The Ending
Houseplants @mander.xyz Neoregelia pendula bloom
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Jazz - For all the jazz lovers @lemmy.world Grassella Oliphant - Soul Woman
Jazz - For all the jazz lovers @lemmy.world Duke Pearson - Big Bertha
Jazz - For all the jazz lovers @lemmy.world Roy Ayers - NPR Tiny Desk
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Jazz - For all the jazz lovers @lemmy.world Grant Green - Talkin' About J.C.
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Thanks! I was hoping to hear something like this. I'm still kinda caught between the two because after some more window shopping I've realized there are bandsaw options that are not much more costly than a decent scrollsaw. I've worked on a few more projects since posting this and continue to make the big cuts with a cordless jigsaw and some creative maneuvering and clamping on a slotted table. I just mention this because even there the burning comes up. Not a factor for these kind of projects since all those cut surfaces get carved or sanded away; but it definitely highlights the need for slowing down, as you said.